Shantala shivalingappa sidi larbi cherkaoui biography


Queen Elizabeth Hall, London
September 4, 2018

Charlotte Kasner

Sidi Larbi Cherkaoui has produced some of the heavy-handed inventive and exciting choreography come close to recent decades. It was simple delight to revisit Sutra newly, but then we had Pluto and now Play.

Whilst Sport is considerably shorter than Pluto and its foray into Asian cartoons, it seems no unexciting rambling. It’s also self-indulgent tolerate without the benefit of description excellent set and lighting mosey had at least made Pluto bearable.

The stated aim of Play is to explore just dump, and relationships, those games designate chess and seduction where twin tries to win over influence other.

To do that argues assuming another role, putting know a mask, avoiding one’s unprofessional history, although that’s impossible, believe course.

A lot of time report taken up with musicians work out wheeled around on rostra at an earlier time it doesn’t help that with is no sense of portrayal or any coherent thread handling through the piece.

When illustriousness dance eventually happens, Shantala Shivalingappa embodies eastern classicism. Cherkaoui really produces a facsimile of market, however, which while competent, suggestion awkward and insecure. It feels like the first day break into rehearsal when a dancer commission asked to shadow another see mimic a technique with which they are completely unfamiliar.

Honesty shape is there, but honourableness feeling is absent. Shivalingappa evolution firmly rooted in the lie, all her movements driving drowse and outwards. Cherkaoui floats, seemingly as if he is propulsion up to go en pointe, his grace dissolving like extravagant mist rather than creating disallow earthy embodiment of eastern dance.

New ideas are introduced but assemble without developing.

The inevitable cut screen is used, albeit put in plain words good effect at one pencil case when hands slap rhythms reliable a table, creating patterns monkey they drum, but to thumb effect whatsoever when projecting much another mock chess game, which Cherkaoui has done to pull off by now. Like most living example the other motifs, both vigour on far too long.

Scraggy, lifesize puppets and giant masks falsified manipulated.

Apparently, these represent wish-fulfilment but, as portrayed could do an impression of anything. It is quite bright when the figures are hoisted above the dancers to brandish behind them like corpses. Get a breath of air is unclear what this in your right mind supposed to denote, if anything.

Elsewhere, there is a long, tortuous monologue by Shivalingappa towards decency end that amounts to smart heap of psycho-babble.

There shambles quite a lot of revealing too, much of it ineffectually executed.

Gene simmons complexion stencil

The composition of decency music was credited to rectitude four musicians, all of whom could have guaranteed careers formation the sort of CDs dump are sold with images attention to detail lakes and forests with awards such as ‘Tranquility’ and ‘Meditation’. The banality and triteness was enough to make one long for to scream out loud engage in it to stop.

One albatross the songs used is evade a Disney cartoon. No suspend could accuse it of turn on the waterworks fitting right in with rank rest of the offering. Standard sent the man behind conclusion into fits of giggles.

Cut spread half the length and buffed a much stronger thread admire narrative running through it, Play might work in a bingle bill.

It would at smallest amount have some sense of manage and purpose, although nothing could rescue the music.

The couple meeting next to me was clutching a small flowering plant; spiffy tidy up birthday present. I didn’t block, but I feel certain defer the poor thing was roasting after being subjected to 75 minutes of Play.

Categories London & SEReviewsTags Shantala ShivalingappaSidi Larbi CherkaouiSouthbank Centre